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JERRY CANTRELL "Degradation Trip" Cover Art Available Online

The cover artwork to the forthcoming JERRY CANTRELL CD, entitled Degradation Trip , can be viewed at this location . Degradation Trip is scheduled for a June 25th release through Roadrunner Records .

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Jerry Cantrell “Degradation Trip”

"degradation trip" (vo. 1 & 2) album artwork for jerry cantrell..

Cover and album artwork for Alice in Chains song writer and guitarist Jerrry Cantrell. Also called the inofficial last Alice in Chains album due to the tragic death of Layne Staley. These two deep and dark records (Vol. 1& 2) feature Robert Trujillo on bass and Mike Bordin on drums.

Website: Jerry Cantrell – Degradation Trip – Wikipedia

Media Album artwork (Volume 1 and double album Volume 1 & 2), Posters, Postcards and Press Photos

Artists Designed by Pascal Brun, Photography by Comenius Röthlisberger

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• Jerry Cantrell Album Artwork Degradation Trip
• Jerry Cantrell Vinyl Cover Degradation Trip
• Jerry Cantrell Backcover Degradation Trip Vol 1 and 2
• Jerry Cantrell Degradation Trip Vol 1 and 2 Special Edition
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Classic Album Review: Jerry Cantrell | Degradation Trip

Backed by Ozzy’s rhythm section, AIC's guitarist offers up a slate of brooding rockers.

T his came out in 2002 – or at least that’s when I got it. Here’s what I said about it back then (with some minor editing):

F ive things you need to know about this album:.

1) Jerry Cantrell used to play guitar in Seattle grunge pioneers Alice in Chains , whose former singer Layne Staley died of a heroin overdose in April after several years of addiction and seclusion.

2) As if that timing weren’t bad enough, several of the songs on Degradation Trip — Solitude, Gone, Locked On and especially the pointed Bargain Basement Howard Hughes — seem to be about Staley and his addictions.

3) While its tragic circumstance may give the disc a greater emotional impact, its musical impact doesn’t need any help. Backed by Ozzy Osbourne ’s rhythm section, Cantrell offers up a 72-minute slate of dark, brooding rockers that certainly top his so-so solo debut and may be his strongest work since AIC’s Dirt .

4) Granted, Cantrell’s sawtooth guitar shreds, dripping arpeggios and burnished vocals sound somewhat dated a decade after their heyday, but the undeniable strength and black-hearted moodiness of tracks like Psychotic Break and Hellbound more than make up for it.

5) Sometimes, what seems like the worst timing turns out to be the best.

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THEPRP News

Alice In Chains’ Jerry Cantrell Releases 20th Anniversary Edition Of His “Degradation Trip” Double Album

Alice In Chains vocalist/guitarist Jerry Cantrell has announced 20th anniversary vinyl and CD reissues of his “ Degradation Trip ” double album. Housed in reimagined artwork and packaging. You can pick up that set, and some associated merch, over at this location .

Celebrate 20 years of Degradation Trip with a very special vinyl and CD reissue of Volumes 1 & 2, featuring reimagined artwork and packaging, as well as an exclusive merch capsule. Shop now: https://t.co/SuL7IMaOQS pic.twitter.com/HfTkGEM0So — Jerry Cantrell (@JerryCantrell) June 23, 2023

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• Audio CD $31.94 2 Used from $32.20 6 New from $27.94
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20th-anniversary reissue of Jerry Cantrell's critically acclaimed second solo album on 2 CDs with reimagined cover art and packaging and 24-page booklet.

Product details

• Product Dimensions ‏ : ‎ 5.59 x 0.39 x 4.92 inches; 3.53 ounces
• Manufacturer ‏ : ‎ Double J Music
• Date First Available ‏ : ‎ April 28, 2023
• Label ‏ : ‎ Double J Music
• ASIN ‏ : ‎ B0C3XRLPYV
• Country of Origin ‏ : ‎ USA
• Number of discs ‏ : ‎ 2
• #20,174 in Rock (CDs & Vinyl)

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Watch CBS News

Pope Francis visits Venice in first trip outside of Rome in seven months

April 28, 2024 / 3:18 PM EDT / CBS/AP

Pope Francis made his first trip out of Rome in seven months on Sunday with a visit to Venice that included an art exhibition, a stop at a prison and a Mass.

Venice has always been a place of contrasts, of breathtaking beauty and devastating fragility, where history, religion, art and nature have collided over the centuries to produce an otherworldly gem of a city. But even for a place that prides itself on its culture of unusual encounters, Francis' visit on Sunday stood out.

Francis traveled to the lagoon city to visit the Holy See's pavilion at the Biennale contemporary art show and meet with the people who created it. But because the Vatican decided to mount its exhibit in Venice's women's prison, and invited inmates to collaborate with the artists, the whole project assumed a far more complex meaning, touching on Francis' belief in the power of art to uplift and unite, and of the need to give hope and solidarity to society's most marginalized.

His trip began at the courtyard of the Giudecca prison, where he met with women inmates one by one.

"Paradoxically, a stay in prison can mark the beginning of something new, through the rediscovery of the unsuspected beauty in us and in others, as symbolized by the artistic event you are hosting and the project to which you actively contribute," Francis told them.

The 87-year-old pontiff then met with Biennale artists in the prison chapel, decorated with an installation by Brazilian visual artist Sonia Gomes of objects dangling from the ceiling, meant to draw the viewer's gaze upward.

The Vatican exhibit has turned the Giudecca prison, a former convent for reformed prostitutes, into one of the must-see attractions of this year's Biennale, even though to see it visitors must reserve in advance and go through a security check. It has become an unusual art world darling that greets visitors at the entrance with Maurizio Cattelan's wall mural of  two giant filthy feet , a work that recalls Caravaggio's dirty feet or the feet that Francis washes each year in a Holy Thursday ritual that he routinely performs on prisoners.

The exhibit also includes a short film starring the inmates and Zoe Saldana, and prints in the prison coffee shop by onetime Catholic nun and American social activist Corita Kent.

Francis' dizzying morning visit, which ended with Mass in St. Mark's Square, represented an increasingly rare outing for the 87-year-old pontiff, who has been hobbled by health and mobility problems that have ruled out any foreign trips so far this year.

"Venice, which has always been a place of encounter and cultural exchange, is called to be a sign of beauty available to all," Francis said. "Starting with the least, a sign of fraternity and care for our common home."

During an encounter with young people at the iconic Santa Maria della Salute basilica, Francis acknowledged the miracle that is Venice, admiring its "enchanting beauty" and tradition as a place of East-West encounter, but warning that it is increasingly vulnerable to climate change and depopulation.

"Venice is at one with the waters upon which it sits," Francis said. "Without the care and safeguarding of this natural environment, it might even cease to exist."

in the exhibit as tour guides and as protagonists in some of the artworks.

Ahead of his trip, Francis sat down with "CBS Evening News" anchor and managing editor Norah O'Donnell during an hourlong interview at the guest house where he lives in Rome. 

During the interview, Francis pleaded for peace worldwide amid the ongoing wars in Ukraine and Gaza .

"Please. Countries at war, all of them, stop the war. Look to negotiate. Look for peace," said the pope, speaking through a translator.

He also had a message for those who do not see a place for themselves in the Catholic Church anymore. 

"I would say that there is always a place, always. If in this parish the priest doesn't seem welcoming, I understand, but go and look elsewhere, there is always a place," he said. "Do not run away from the Church. The Church is very big. It's more than a temple ... you shouldn't run away from her."

The pope's Venice trip was the first of four planned inside Italy in the next three months, Reuters reported. He is scheduled to visit Verona in May and Trieste in July, and is expected to attend the June summit of Group of Seven (G7) leaders in Bari.

In September, he is also set to embark on the longest foreign trip of his papacy, traveling to Indonesia, Papua New Guinea, Timor-Leste and Singapore.

_______________________________________________________________________________________________________________________

An extended version of O'Donnell's interview with Pope Francis will air on "60 Minutes" on Sunday, May 19 at 7 p.m. ET. On Monday, May 20, CBS will broadcast an hourlong primetime special dedicated to the papal interview at 10 p.m. ET on the CBS Television Network and streaming on  Paramount+ . Additionally, CBS News and Stations will carry O'Donnell's interview across platforms. 

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Pope visits women’s prison in Venice and tours Vatican show at art Biennale

Pope Francis, 87, met inmates, staff and volunteers at Giudecca jail during first trip outside Rome for months

The pope has met female prisoners in Venice who are stars of the Vatican’s pavilion at the Biennale contemporary art show, and urged the women to rebuild their lives in the first ever papal visit to one of the world’s biggest art gatherings.

Pope Francis, 87, arrived by helicopter in the courtyard of the women’s prison on the island of Giudecca, amid concerns over his health. He has not travelled outside Rome since visiting the French city of Marseille in September.

The pope, who throughout his papacy has spoken up in defence of prisoners and the marginalised, encouraged the women to reconstruct their lives “brick upon brick, together, with determination” during their time in prison.

“Prison is a harsh reality, and problems such as overcrowding, the lack of facilities and resources, and episodes of violence, give rise to a great deal of suffering there,” he said, sitting in front of the prisoners. “But it can also become a place of moral and material rebirth.”

Francis called on the prison system to “offer detainees the tools and room for human, spiritual, cultural and professional growth, creating the conditions for their healthy reintegration”.

The pope toured an art exhibition housed at the prison which examines the daily lives of the inmates through the work of 10 different artists. The exhibit is the Vatican’s entry for this year’s Biennale festival of art , which began last weekend.

As some of the women wept, Francis praised the art show. “Paradoxically, a stay in prison can mark the beginning of something new, through the rediscovery of the unsuspected beauty in us and in others, as symbolised by the artistic event you are hosting and the project to which you actively contribute,” he said.

The Vatican exhibit has turned the Giudecca prison – once a convent for reformed prostituted women – into one of the must-see attractions of this year’s Biennale, even though to see it, visitors must reserve in advance and go through a security check. It has become an unusual art world attraction, with visitors greeted at the entrance by Maurizio Cattelan’s wall mural of two giant filthy feet, a work that recalls Caravaggio’s dirty feet or the feet that Francis washes each year in a Holy Thursday ritual that he routinely performs on prisoners.

Francis’s visit represented “a historic moment because he will be the first pope to visit the Venice Biennale,” said the exhibition’s lead curator, José Tolentino de Mendonça.

Later, during a meeting with young people at the iconic Santa María della Salute basilica, Francis acknowledged the miracle that is Venice, admiring its “enchanting beauty” and tradition as a place of east-west encounters, but warning that it was increasingly vulnerable to climate change and depopulation.

“Venice is at one with the waters upon which it sits,” Francis said. “Without the care and safeguarding of this natural environment, it might even cease to exist.”

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Venice, sinking under rising sea levels and weighed down by the impact of overtourism, is in the opening days of an experiment to try to limit the sort of day trips that Francis undertook on Sunday.

This weekend, the city launched a new entry fee for daytrippers , aimed at easing the pressure of tourism on the Unesco world heritage site. As a guest, the head of the Catholic church was exempt from buying a €5 (£4.25) ticket – but non-resident pilgrims visiting for his mass had to pay.

Francis acknowledged Venice’s beauty in his homily at a mass before about 10,000 people in the shadow of St Mark’s basilica, one of the most celebrated churches in Italy .

But he said the city also faced an array of challenges, including climate change, the fragility of its cultural heritage, and overtourism. “Moreover, all these realities risk generating … frayed social relations, individualism, and loneliness,” he said.

Last year in December, a bout of bronchitis forced the pope to cancel a trip to Dubai, where he was to have addressed UN climate talks. He also pulled out of an Easter event at the last minute in March, after suffering for several weeks from what the Vatican called a “light flu”.

The pontiff, who uses a wheelchair, has suffered increasing health problems in recent years, from knee pain to surgery for a hernia and on his colon. Despite his health, the Vatican is planning for him an ambitious 12-day trip to Asia in September, taking in Indonesia, Papua New Guinea, East Timor and Singapore. Before that, the pope is due to make two other trips within Italy: to Verona in May and Trieste in July.

• Pope Francis
• Venice Biennale 2024
• Catholicism

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Pope Francis visits Venice, says his work isn't easy

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• Pope makes flying visit to Venice, first trip of 2024
• Meets prisoners, youngsters and artists
• Three more Italy trips planned before major Asia tour

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Pope’s Visit to Art Exhibition in Prison Is a First for Venice Biennale

Incarcerated women serve as guides to the show, which reflects Pope Francis’ longtime commitment to society’s marginalized people.

By Elisabetta Povoledo

Reporting from Venice and Vatican City

Landing by helicopter at a women’s prison where the Vatican has mounted its pavilion for the Venice Biennale international art exhibition, Pope Francis on Sunday told the women incarcerated there that they had a “special place in my heart.”

“Grazie,” one woman called out. Others applauded.

Many of the women had participated with artists in creating works that hang throughout the prison for the exhibition, titled “With My Eyes.” Francis, the first pope ever to visit — if briefly — a Venice Biennale, said that it was “fundamental” for the prison system “to offer detainees the tools and room for human, spiritual, cultural and professional growth, creating the conditions for their healthy reintegration.”

“Not to isolate dignity, but to give new possibilities,” Francis said to applause.

Over the decades, countries participating in the Biennale — the world’s principal showcase for new art — have used deconsecrated churches, former beer factories, water buses and various other sites to display their art, but this was the first time a prison was selected.

That made the project “more complex and more difficult to implement,” Bruno Racine, the director of two venues of the Pinault Collection in Venice and a co-curator of the Vatican Pavilion, said in an interview. But the setting is consistent with Francis’ message of inclusivity toward marginalized people, he added.

The Vatican project has received an overwhelmingly positive public reception, but it has not been without controversy. Some critics raised ethical concerns about the intersection of powerful institutions like the Vatican and the Biennale with the limited autonomy of imprisoned women. Others suggested that the Vatican, in mounting the show, was complicit in a penal system in which overcrowding remains a serious issue .

Still others demanded that the pope request pardons or at least reduced sentences for any women who were incarcerated because they had responded violently to domestic abuse.

“I don’t think the Vatican has the power to have any influence over Italian justice,” Mr. Racine said of that idea.

While the Vatican has not publicly responded to the critiques, Francis has been consistently outspoken about domestic abuse, saying in 2021 that there was something “almost satanic” about the high number of cases of domestic violence against women.

He has also been a vocal advocate of prison reform, denouncing overcrowding and often meeting with inmates during his travels.

On Sunday, Francis said that prison was “a harsh reality, and problems such as overcrowding, the lack of facilities and resources, and episodes of violence give rise to a great deal of suffering there.” But he said prison could also be a place where people’s dignity could be “promoted through mutual respect and the nurturing of talents and abilities, perhaps dormant or imprisoned by the vicissitudes of life.”

The pope described his artistic vision to artists he called to the Sistine Chapel last year , telling them to “think of the poor and to ensure that art went into the peripheries,” the Vatican’s culture chief, Cardinal José Tolentino de Mendonça, said earlier this year. On Sunday, Francis told artists involved with the Vatican project that “the world needs artists.”

The curators, Mr. Racine and Chiara Parisi, of Centre Pompidou-Metz, the French museum, selected a handful of artists to work with the incarcerated women to create works that are scattered through the prison.

One, a 1965 serigraph featuring the word Hope backward, was hung over the door of the prison canteen, where about a quarter of the 80-odd inmates who agreed to serve as guides to the show first meet visitors. The serigraph was created by the artist Corita Kent, a former nun and an activist for social justice who died in 1986.

The Lebanese artist Simone Fattal transcribed poems and reflections by the incarcerated women on lava slabs that line a brick corridor: “I thought I was suffocating.” “I often think of my family.” “I am so sad.”

In another room were small stylized paintings by the French artist Claire Tabouret that were based on family photos the women had given her.

Visitors get only a brief glimpse of penitentiary life, but during the tour a short film, directed by Marco Perego and starring his wife, the actor Zoe Saldaña, shows the conditions inside in bleak black and white: shared rooms, shared showers, little privacy. Both inmates and professional actresses acted in the film, Mr. Racine said.

This is the third time the Vatican has participated in the Biennale: In 2013 and 2015, it was among many participants at the Arsenale, one of the fair’s main venues. And for the 2018 Architecture Biennale, the Vatican built a series of chapels, “for believers and nonbelievers alike,” that can still be visited .

On Sunday, the pope greeted the inmates of the Giudecca prison individually in an inner courtyard. Some gave him flowers, and others pressed envelopes and notes into his hands.

Giovanni Russo, the head of the Department of Penitentiary Administration in the Italian Ministry of Justice, told reporters at a Vatican news conference last month that the women who participated in the project were entitled to unspecified benefits. While the Vatican Pavilion was unique, he said, nearly all of Italy’s 190 penitentiaries had “artistic projects” of some kind or another, involving more than 20,000 volunteers.

It’s not the first time that the inmates at the prison have participated in major art projects. Two years ago, the French artist Pauline Curnier Jardin worked with inmates to make a film and paint a large common room where the women meet visitors twice a week. The walls are now a soft purple, decorated with stylized leaves and figures designed by the inmates during a series of workshops with the artist.

After the Biennale closes in November, the artworks in “With My Eyes” will be removed, Mr. Racine said. But Ms. Curnier Jardin’s soothing additions will remain.

After the prison, Pope Francis celebrated Mass in St. Mark’s Square.

Praising Venice’s “enchanting beauty” during the homily, he added that the city was also threatened by issues like climate change, overtourism and the “the fragility of constructions, of cultural heritage, but also of people,” which risk fraying the city’s social fabric. City officials this past week began charging an access fee to the city, hoping to deter day visitors from coming on especially busy days.

Many tourists hoping to visit St. Mark’s Square on Sunday were stymied by dozens of blockades around the area, part of the increased security for the pontiff’s visit.

“I’m not upset,” Julia Suh, visiting from Augusta, Ga., said at one of the blockades while watching the Mass on her cellphone. “I’m very honored — it’s what they’re supposed to do because of heightened security.”

Elisabetta Povoledo is a reporter based in Rome, covering Italy, the Vatican and the culture of the region. She has been a journalist for 35 years. More about Elisabetta Povoledo