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• June 22, 2022 Setlist

Metallica Setlist at Letiště Praha Letňany, Prague, Czechia

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Tour: European Tour 2022 Tour statistics Add setlist

• Song played from tape It's a Long Way to the Top (If You Wanna Rock 'n' Roll) ( AC/DC  song) Play Video
• Song played from tape The Ecstasy of Gold ( Ennio Morricone  song) Play Video
• Whiplash Play Video
• Creeping Death Play Video
• Enter Sandman Play Video
• Cyanide Play Video
• Trapped Under Ice Play Video
• No Leaf Clover Play Video
• Sad but True Play Video
• Dirty Window Play Video
• Nothing Else Matters Play Video
• For Whom the Bell Tolls Play Video
• Moth Into Flame Play Video
• Fade to Black Play Video
• Seek & Destroy ( Messed up the intro and started again due to technical failure of James' guitar ) Play Video
• Damage, Inc. Play Video
• One Play Video
• Master of Puppets Play Video

Edits and Comments

11 activities (last edit by Michal , 23 Jun 2022, 19:58 Etc/UTC )

Songs on Albums

• Creeping Death
• Fade to Black
• For Whom the Bell Tolls
• Trapped Under Ice
• Enter Sandman
• Nothing Else Matters
• Sad but True
• Seek & Destroy
• Damage, Inc.
• Master of Puppets
• Moth Into Flame
• No Leaf Clover
• Dirty Window

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Metallica gig timeline.

• Jun 17 2022 Pinkpop 2022 Landgraaf, Netherlands Start time: 10:15 PM 10:15 PM
• Jun 19 2022 Firenze Rocks Festival 2022 Florence, Italy Start time: 9:35 PM 9:35 PM
• Jun 22 2022 Prague Rocks 2022 This Setlist Prague, Czechia Start time: 8:45 PM 8:45 PM
• Jun 24 2022 Download Germany 2022 Hockenheim, Germany Start time: 9:05 PM 9:05 PM
• Jun 26 2022 Hellfest 2022 Clisson, France Start time: 11:05 PM 11:05 PM

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Metallica vznikla v roce 1981, založili ji bubeník Lars Ulrich s kytaristou a zpěvákem Jamesem Hetfieldem a stala se jednou z nejvlivnějších a komerčně nejúspěšnějších rockových kapel v hudební historii. Během své kariéry skupina prodala okolo 110 milionů alb po celém světě a svým fanouškům se představila  doslova na všech sedmi kontinentech.

Vydala několik multiplatinových alb, včetně alba Metallica z roku 1991 (běžně označovaného jako The Black Album), kterého se jen v USA prodalo více než 17 milionů, což z něj činí nejprodávanější album v historii Soundscan. Metallica také získala četná ocenění a uznání, včetně devíti cen Grammy, dvou American Music Awards a několika cen MTV Video Music Awards, v roce 2009 byla uvedena do Rock and rollové síně slávy a muzea. V prosinci 2013 se Metallica zapsala do historie svým jedinečným koncertem v Antarktidě a stala se tak první kapelou, která koncertovala na všech sedmi kontinentech během jednoho roku, čímž si vysloužila zápis do Guinnessovy knihy rekordů.   

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METALLICA WORLDWIRED TOUR Speciální hosté: GHOST a BOKASSA 18. 8. 2019 Praha, Letiště Letňany Ceny vstupenek: 1490 – 2990 Kč

Skupina Metallica potvrdila návrat do Velké Británie a Evropy se svým WorldWired Tour, na kterém se prostřednictvím velkolepých koncertů pod širým nebem představí na stadionech, v parcích, letištích a dokonce i na zámku.

Metallica v Evropě a Velké Británii naposledy vystupovala v halách od září 2017 do května 2018 a návštěvnost koncertů zlomila rekord na 29 místech po celém kontinentu.

Stejně jako u většiny koncertů turné WorldWired, každá zakoupená vstupenka obsahuje výběr standardního fyzického nosiče nebo standardní digitální verze desátého a současného alba kapely Hardwired... to Self-Destruct.

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Electrifying as ever with their incredible performance and stage presence, the members of Metallica delivered the goods and more last night with a nice cross section of numbers running the gamut of their colossal catalog! There were occasional pauses to interact and converse with the crowd, but the band segued their way into one song after another the majority of the evening. The night opened up with an intro of the Ecstasy of Gold followed by the title cut off of the band's latest effort Hard Wired to Self Destruct. James Hetfield's vocals were as strong as ever from beginning to end. Kirk Hammett engaged in one brain crushing guitar solo after another, Lars Ulrich brought a great and almost nonstop back beat with his furious drumming and Rob Trujillo provided excellent bass work including a great treatment of the solo the late Cliff Burton was well known for on Anesthesia (Pulling Teeth). During the aforementioned bass solo video footage of Burton performing onstage accented the music perfectly. Other exceptional highlights included Kirk's stellar guitar shredding accompanied frequently by usage of his wah pedal. Cuts such as Welcome Home (Sanitarium), Creeping Death and the encore Enter Sandman in particular contained solos showcasing his seemingly boundless talent! Things heated up literally as well during the songs Fight Fire with Fire and Sandman when pyrotechnics were activated and flames shot up from the stage. At the end Ulrich tossed sticks out into the audience. Hetfield, Trujillo and Hammett threw and shook picks from little jack o' lantern tins out into the crowd, the picks of which boasting the band logo as well as the theatre's location and concert date on them. Great souvenirs in even something so small right there as my husband and I each scooped one up off the floor! A grand night out, the next one of which cannot come soon enough!

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The impatient wait had been going on for months - I booked this show when tickets went on sale back in March or whenever it was, and October had take so long to come around - but finally it was here: Metallica day!

The day started with a trip to the pop-up merch store in London, then onto the O2 for an agonising queue (good thing it's what us Brits do best, apart from moan about it of course) before finally getting in and finding my seat - which, by pure luck, was a superb view. Again, what felt like days, but in reality was only 30-40 mins wait, the lights dimmed, the background music shut off, and the familiar notes of the intro track, "The Ecstasy of Gold", complete with video footage from "The Good, the Bad, and the Ugly", began to ring out, to rapturous roaring and whistling from the 20,000 strong crowd. The hairs on my arms are standing on end just recounting it for this review. And then we were in: full-bore, 100mph, Metallica took to the stage and belted out song after song after song with barely a moment to catch your breath before the next does of thrash metal came your way. "Thrash metal?", I hear you say, "Metallica hasn't been thrash metal since the 80's!". Oh my friend, trust me when I say thrash metal - we had some of the best early work represented tonight, not least with half a dozen track from the new album "Hardwired... To Self Destruct" that included unrelenting riff after riff, from the likes of "Hardwired", "Atlas Rise", "Moth Into Flame", coupled with one of the heaviest tracks they've ever written "Dream No More", plus "Halo on Fire" and "Now That We're Dead". All segmented in-between some of the bands greatest songs; "Seek & Destroy", "Through The Never", "Welcome Home (Sanitarium)", "For Whom The Bell Tolls", "Through The Never", "One", "Sad But True", "Fuel", the obligatory cover, this time from the Misfits' "Die Die My Darling", before ending the show with "Master of Puppets".

Of course, it wasn't the end - back for the encore the intro to "Damage Inc" came on, before they ripped all the way through it, eventually slowing the pace to play the ever-loved "Nothing Else Matters" and finally ending on probably their most well known song "Enter Sandman"

It was a great varied selection of tunes that spans most of their career - the only notable exceptions being there was nothing from "Load", "St Anger" or the previous record "Death Magnetic". But otherwise all the other studio albums were represented. Some guitar and bass doodles from Kirk and Rob, before Rob gave us a wonderful tribute to Cliff by playing "Anesthesia".

If you get the chance to go, then go see this show - it's truly magnificent, from a band with 36 years experience in being the biggest metal band on the planet, and it shows you just why they are. I just wish I had a ticket for tomorrow night too.

2nd September show in Cobenhagen.

Tallica promised us a unique show because this concert was postponed show from February. Many people travel a long way to see them in February including me traveling from Iceland.

The moment when I heard Seek & Destory in the #3rd slot then I knew this was going to be something special.

They performed Thought The Never in slot #4 and that song has not been played for 4 years. The next song was The Day That Never Comes and we did not believe that because in our wildest dreams we hoped to have that on the list, we jumped like there was no day tomorrow.

Dream No More was in the slot #7 and that was the second time Metallica has played that song. It was nice to hear Breadfan in slot #10. We saw many drons flying over the stage in Moth Into Flame, which was amazing!

Fight Fire With Fire was in the encore faster than ever.

Me and my friends walked away from Royal Arena in great mood with a big smile on our faces and with a hoarse throut, like James was in February.

About the unique show as we where promised in February it was only UNIQUE for 2 days because Amsterdam got almost the same setlist. But we got a free T-shirt, that was probably the unique thing for us.

We where hoping for some live debut like Murder One, Spit Out The Bones but it did not happend.

The song ManUnkind was performed tonight in Paris (10th September) and that is unique.

Iceland has been waiting since 2004 for Metallica to come back to Iceland when they held the biggest indore concert in Reykjavík. We do not want to wait another 23 years like we did before 2004.

All the best,

Gauti Sigurpálsson

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• Cover Story

Two nights, 32 songs, 100,000 fans: The full review of Metallica’s M72 opening shows

With the second night of Metallica’s M72 Tour Amsterdam double-bill still ringing in our ears, we look back over a long heavy metal weekend for the ages.

Even after all these years, in the live arena Metallica still know how to raise the bar. If there’s one non-musical moment that’ll stick with us from the landmark first stop on the San Francisco giants’ planned two-year M72 World Tour, it won’t be queueing alongside the metal masses for a show-exclusive shirt six hours before doors open; it wont be walking into Amsterdam’s colossal Johan Cruyff Arena to see the space-age stadium setup for the first time; hell, it won’t even be Lars Ulrich ’s eye-catching new 72 Seasons -yellow drum kit magically popping-up around their circular stage. No, the one that’ll really endure is how, at the end of 32 songs and well over four hours of music across two awesome nights, the 50,000+ punters in attendance were still baying for more.

We’ve already talked about the opening Thursday night in-depth but, in the context of the full weekend – or perhaps as the very first show of the whole damn tour – it had a no-frills urgency that stood apart. Between Mammoth WVH ’s somewhat-static virtuosity and Architects ’ all-action attack, the stage was set for something special. And Metallica duly obliged, bringing a lean, mean set for the ages that managed to fit three new tracks ( Lux Æterna , Screaming Suicide , Sleepwalk My Life Away) while still feeling like a career-spanning retrospective from jaw-dropping opener Orion to lesser-spotted deep cuts King Nothing and The Day That Never Comes. Nothing Else Matters dropped mid-set! When your show ends with a full-throttle run-through of Ride The Lightning, Battery, Fuel, Seek & Destroy and Master Of Puppets – and a whole stadium moshing – it’s a bit special, even by Metallica standards.

Night two feels substantially more relaxed. With bright Saturday sun falling through the closed roof, first-show nerves mercifully dissipated, and a Metallica setlist that feels far more predictable thanks to the no-repeat format and simple process of elimination, there’s more room to have fun.

That begins with the arrival of Boston terrors Ice Nine Kills . If there was a hint that Thursday’s openers struggled to fill the stage, there’s none of that here, as Spencer Charnas and the boys emerge in full black tie to scatter across the whole setup – while being assailed by two separated Leatherfaces for opener SAVAGES. The sunlit, 30-minute slot doesn’t quite allow the horror movie-obsessed collective to show off all they’ve got (they did that at Friday’s Metallica-endorsed, between-shows headline at Amsterdam’s legendary Melkweg), but from the hacked-heads of Hip To Be Scared to Spencer sporting a Freddy Krueger claw for The American Nightmare, they’ve got a perfect blend of cutting/campy theatrics to command the gaping space.

It was supposed to be Five Finger Death Punch up next, but the Las Vegas metallers have been forced to withdraw due to unforeseen circumstances, opening a slot for home-country heroine Floor Jansen to step up and save the day. Although not exactly a sonic like-for-like, there are few in Amsterdam who’d argue the Nightwish vocalist isn’t a substantial upgrade. Addressing the crowd mostly in her native Dutch and proudly sporting her growing baby bump, Floor is very much at ease in venues of this size, with her incredible voice turning the repurposed sports venue into a glorious cathedral of sound. And though the lack of any Nightwish material leaves a few casual fans huffing, the strength of solo songs like Fire and My Paragon, as well as a smattering of Northward/After Forever hits, and a climactic duet of Andrew Lloyd Webber’s The Phantom Of The Opera alongside local hero Henk Poort means her 60-minute slot is a real highlight of the weekend.

Metallica’s set rolls around fast. With no apparent volume-restricted handicapping as well as access to impressive production and the full stage, Metallica seem to be inviting their supports to throw down a gauntlet across these shows, and relishing the challenge to up their game. There’s slight deja vu as we’re run through AC/DC ’s It’s A Long Way To The Top (If You Wanna Rock ‘N’ Roll) and Ennio Morricone ’s The Ecstasy Of Gold for the second time in three days, but that’s where it ends. A different instrumental intro rings over the PA this evening. Ears crane. Is that… The Call Of Ktulu?! In a dark echo of Orion on Thursday, we’re enveloped at the outset by Metallica’s other classic instrumental. An ear-shattering Creeping Death sees the audience find full voice. The furious Leper Messiah delivers the angular riffage to rattle the front rows into limb-flinging action.

It’s the underrated southern-gothic of 1996’s Until It Sleep that really stirs the hardcore, though. Performed live for the first time in 15 years, frontman James Hetfield ’s cries of ‘ Where do I take this pain of mine / I run but it stays right by my side... ’ chime with his more recent compositions, adding to the timelessness already there. Then tonight’s three fresh cuts arrive stacked around a spine-chilling Welcome Home (Sanitarium). Even more than Thursday’s new offerings, 72 Seasons, If Darkness Had A Son and You Must Burn! benefit from the scale and maxed-out volume that come with shows of this stature. They’re still far longer than they needed to be, but it’s hard to complain that they’ve outstayed their welcome while being stomped into the ground.

We rocket into a second half of the set designed to delight lifelong fans and casual listeners with off-rails aplomb. The Unforgiven, Wherever I May Roam and Harvester Of Sorrow are simply irresistible, shifting through shades of melancholy, menace and bombastic mania with an ease that only Metallica can really manage. Moth Into Flame is the moment they detonate the pyro tonight, turning their in-the-round stage into a furious ring of fire. Fight Fire With Fire rolls back the years, as each player is pushed to the limit of their thrashy capabilities. A raucous cover of Irish traditional standard Whiskey In The Jar ramps the party atmosphere to a cup-smashing high.

If there’s a downside to the two-night M72 format, it’s that by the time we arrive at the last two slots in that 32-song allocation and we’ve still not heard Enter Sandman or One , there isn’t much room left for surprise. Once again eschewing a traditional encore, we crash through those familiar uber-classics in a pyro-laden blur and the band come together to wave us off into the night.

Of course, we could argue that the masses’ aforementioned cries for more are justified. Getting just one song from Kill ‘Em All, and, er, nothing from 2003’s divisive St Anger feels odd given the career-spanning scale of event. But the banging breadth and depth of the setlist we did get – not to mention the three days of buzz and camaraderie that accompanied an international assembly of the Metallica Family – more than justify the low-quantity, high-quality format of the tour. As part of the broader festival, June’s double-headline at Download will have a different flavour, but expect those shows to be every bit as essential for fans, not just of Metallica, but metal as a whole.

A staggering showcase befitting metal’s greatest band.

Metallica headline Download Festival on June 8 and 10.

Metallica’s M72 World Tour, live from AT&T Stadium in Arlington TX, comes to cinemas worldwide on 18 and 20 August via Trafalgar Releasing. For more information or ticket updates visit metallica.film

Read this next:

• Metallica: “In the past every single thing had to be fought over… now the band is a safe space and everyone is very protective of it”
• The 20 greatest Metallica songs – ranked
• “What we’re doing will be the next big thing in heavy metal”: The story of Metallica’s Ride The Lightning

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June 22, 2022

Prague, Czech Republic - June 22, 2022

Brett Murray

Dido Peshev

Jeff Yeager

Zach Harmon