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Dreamcrusher

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Trans-Pecos

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Dreamcrusher is not due to play near your location currently - but they are scheduled to play 3 concerts across 2 countries in 2024-2025. View all concerts.

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archive live 03.26.2023 mucho stereo Centennial Gardens

Live at Le Guess Who? 2022

Chrysalis (Suite) (featuring DIS FIG)

Dreamcrusher Plays the Hits (LIVE 2-2-2022 at Trans Pecos NYC)

Thumbs Down (Not I) Dreamcrusher, Backxwash

Live at Trans Pecos 12 NOV 2021

SPLIT Centennial Gardens

Montez Press MIX (27 August 2021)

Purgatory Bar LIVE (Brooklyn NY 15aug2021)

ESS and CfPT Presents: Quarantine Concerts (22 October 2020)

Live at Trans Pecos 13 Feb 2020

Nexus Nectarine Session 5

Juneteenth (Extended Club Mix)

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Dreamcrusher New York, New York

☥ NIHILIST QUEER REVOLT MUSIK ☥ enby they/them. Industrial, noise, punk, shitgaze, hardcore. Love and light. Est 2003.

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Dreamcrusher

Booking Agent : Ricky Biondetti & Luca Ciscognetti

Dreamcrusher are a New York City-based musician and artist, who describe the project as “nihilist queer revolt musik.” Dreamcrusher’s work is at once personal and abstract, revealing and antagonistic; performances and recordings shift between genres while subjecting the characteristic elements—melodies, beats, instrumentation—to distortion until the point of transformation. Since 2003, Dreamcrusher have released dozens of recordings with labels such as PTP, Fire Talk, and Corpus, as well as on Bandcamp and other online platforms. Dreamcrusher is also a member of the duo Centennial Gardens with King Vision Ultra.

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Dreamcrusher

Latest release.

• JUN 23, 2023
• Suite Two - Single
• Cathedral of Moths
• Incinerator · 2013
• Corpus I · 2017
• Youth Problem (feat. Alice Glass)
• Grudge2 - EP · 2018
• Incinerator
• Suite Two - Single · 2023
• Fever - Single · 2019
• Vulpeculae Freeze
• Antifa Baker
• Novokuznetsk
• Suicide Deluxe · 2014

Singles & EPs

About dreamcrusher.

Referring to their work as "Nihilist Queer Revolt Musik," Dreamcrusher is a gender non-binary straight-edge vegan from Wichita, Kansas named Luwayne Glass. Their impossibly harsh, distorted music owes as much to power electronics as to industrial, rave, goth, and shoegaze. While associated with the experimental noise scene, Glass has trouble relating to many of its more alienating tendencies. Undeniably challenging and intense, Dreamcrusher's music is a bit more accessible due to the inclusion of blown-out melodies, pulverizing beats, and sometimes bleary vocals. Glass originally began uploading music to MySpace during the 2000s, including remixes of tracks by artists ranging from Crystal Castles to Erykah Badu. After releasing a few EPs of original material, Glass began performing live shows in 2012. Soon after, their unique, uncompromising music and confrontational performances began attracting attention from various corners of the underground music world. Cassette releases quickly appeared on labels like This Ain't Heaven Recording Concern and Dionysian Tapes. In 2014, Chicago-based Hausu Mountain released Dreamcrusher's Suicide Deluxe (previously self-released digitally in 2013) to much acclaim. Glass raised money to tour across the country, and relocated to Brooklyn in 2015. By the end of the year, Dreamcrusher signed to Fire Talk, which released Hackers All of Them Hackers. In March of 2016, the label reissued nearly a dozen items from Dreamcrusher's back catalog in addition to releasing a newly recorded EP titled Quid Pro Quo. ~ Paul Simpson

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Dreamcatcher add new dates to 2024 ‘Luck Inside 7 Doors’ world tour

Including shows in Belgium, Lisbon and Helsinki

South Korean girl group Dreamcatcher have announced new dates for their 2024 ‘Luck Inside 7 Doors’ world tour, with concerts in Europe and Asia.

• READ MORE: 8 incredible upcoming K-dramas to watch in January 2024

In December 2023, Dreamcatcher announced that they would go heading on a world tour in 2024. The girl group revealed the dates for the upcoming European leg of their tour, which will take place after their kick-off show in Seoul, South Korea.

The K-pop girl group’s ‘Luck Inside 7 Doors’ 2024 world tour in Europe will kick off in February 17 at the Sant Jordi Club in Barcelona, Spain. Thereafter, the septet will play shows in Poland, the United Kingdom, Germany and France across the rest of the month.

In January 2024, Dreamcatcher added two more dates to their tour with shows in Helsinki, Finland and Taipei, Taiwan. Additional dates in Belgium, Lisbon and Helsinki were announced on February 7.

Tickets for all previously announced dates on Dreamcatcher’s 2024 ‘Luck Inside 7 Doors’ world tour are on sale now. The newly added shows will go on sale February 9 at 11am CET via the official MyMusicTaste website .

The concert dates for Dreamcatcher’s ‘Luck Inside 7 Doors’ 2024 world tour are:

JANUARY 2024 13 – Seoul, South Korea, YES24 LiveHall (FINISHED)

FEBRUARY 2024 17 – Barcelona, Spain, Sant Jordi Club 19 – Warsaw, Poland, Progresja 21 – London, United Kingdom, Troxy 23 – Offenbach, Germany, Stadthalle 25 – Paris, France, Zénith Paris La Villette 28 – Milan, Italy, Magazzini Generali (NEW)

Recommended

MARCH  2024 01 – Brussels, Belgium, Cirque Royal (NEW) 03 – Lisbon, Portugal, Lisboa ao Vivo Sala 1 (NEW) 07 – Helsinki, Finland, Helsinki Ice Hall 30 – Taipei, Taiwan, ZEPP New Taipei

[🌑] Dreamcatcher 2024 World Tour [Luck Inside 7 Doors] in EUROPE Announcement Europe #InSomnia ❤‍🔥 We are happy to announce additional shows in 3 cities: Milan, Brussels, Lisbon An amazing night is quickly heading your way🎉 🎟Tickets / M&G Open: February 09, 2024, 11:00 AM… pic.twitter.com/szptqiRjmt — 드림캐쳐 Dreamcatcher (@hf_dreamcatcher) February 6, 2024

In other touring news, South Korean singer-songwriter  IU has announced her massive 29-date ‘H.E.R.’ world tour . It’ll take place from March to August 2024, featuring concerts in Asia, Europe and the US.

Meanwhile, K-pop boyband JUST B have revealed the dates for their upcoming 2024 ‘Just Be With You’ North and South America tour . It’ll include shows in the US, Puerto Rico, Brazil and more.

Elsewhere, Stray Kids  have been announced as the latest headliner for  London’s BST Hyde Park 2024 . The JYP Entertainment boyband join previously announced headliners  Andrea Bocelli  and  Robbie Williams .

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• Dreamcatcher Company

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dreamcrusher on The FADER

The best of.

Backxwash and Dreamcrusher get demonic on “Thumbs Down (Not I)”

Listen to "Thumbs Down (Not I)," the 33rd entry in the 2021 Adult Swim Singles series, from Backxwash and Dreamcrusher.

Dreamcrusher’s “PSA” video is literally with the shits

Watch Dreamcrusher's new video for "PSA" and listen to their new album Grudge2 .

Dreamcrusher finds peace in chaos

A crucial noise artist, up close and personal, ahead of their forthcoming new project on Show Me The Body's label, Corpus.

13 Songs You Need In Your Life This Week

Tracks we love right now. In no particular order. Featuring Charly Bliss, Sadaf, Mr. Eazi, Show Me The Body, and more.

FADER Mix: Dreamcrusher

Brooklyn noise musician Dreamcrusher melds punk, techno, hip-hop, and R&B into a nihilistic hour-long mix.

Watch Dreamcrusher’s Scary-Good “Codeine Eyes” Video

Watch a video for Dreamcrusher's "Codeine Eyes," a track off Quid Pro Quo, their newest release.

Watch Dreamcrusher’s Disorienting “Fear (And No Feeling)” Video

Check out the new video for "Fear (And No Feeling," a song from Dreamcrusher's new tape Hackers All of Them Hackers, out on Fire Talk.

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Dreamcrusher at le guess who 2022, dreamcrusher at market hotel, brooklyn, ny, usa, dreamcrusher at baby's all right, brooklyn, ny, usa, dreamcrusher at private venue, brooklyn, ny, usa, dreamcrusher at the garrison, toronto, on, canada, dreamcrusher at elsewhere, brooklyn, ny, usa, dreamcrusher at unsound festival 2019.

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Dreamcrusher

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An Evening with Dreamcrusher

By Eric Torres

Two weeks ago, a crowd huddled in a posh brownstone in Williamsburg braced themselves for a noise show. Cups of oat, almond, and soy milk were served to accompany platters of vegan chocolate chip cookies, baked by the performer themselves. The small, square kitchen was transformed into a makeshift performance space: a giant amp sat in one corner, while hulking electronic equipment overtook a back counter and a microphone stand hovered over another. In the back room, a merch table offered tote bags, cassette tapes of a new EP titled Katatonia , and a limited edition of twenty t-shirts made for the occasion, with the words QUEER NIHILIST REVOLT MUSIK spelled out in a circular design, all created by the evening’s performer, Dreamcrusher . Julia Pelta Feldman, the proprietor and founder of Room & Board , the experimental artist’s residency that takes place in the apartment and host of the event, flitted from room to room, making sure everyone had refreshments and earplugs.

-=-=-=-An elegant Brooklyn apartment and vegan pastries are understandably distant from what normally comes to mind when most people hear noise music, yet for Luwayne Glass, aka Dreamcrusher, it was a perfect venue. Unbeknown to the audience members chatting with each other before the show began, Glass sat beneath the island in the center of the kitchen, secretly DJing the party from underneath a black tablecloth.

"I don’t like talking to people at shows," he explained.

By 9:00 p.m. the lights were shut off and a strobe light began to flash from the back room, prompting the crowd to merge into the anterior living room to watch. Glass revealed himself from beneath the island, rising up during the dirge-like opener, "Mirror", off Katatonia . He climbed the island and moved catlike on top of it, each movement staggered from the strobe light. Later, during the pounding "Now I Am Become", he stripped his flannel shirt open to reveal a black leather harness stretched across his chest as he shrieked lyrics into the microphone, its cord wrapped tightly around his neck. Watching a Dreamcrusher show, with its high-decibel howls, crunched, digital soundscapes, and Glass’ equally standoffish and dynamic stage presence, is a spectacle like little else.

Though born and raised in Wichita, Kansas, 26-year-old Glass has been in New York for the past month and a half. After creating a Gofundme page to crowdsource enough money to take his Dreamcrusher project on the road, Glass joined a weeklong northeast tour with one-man Brooklyn noise artist Radio Shock. "[He] hit me up and was like, ‘I know what it’s like to come from a fucking small town, doing some noisy shit, and no one’s coming to your shows,’" Glass said of the tour. He later connected with Feldman’s Room & Board project through a friend in the band Middle Grey, and was surprised when she responded positively to his project. "They were like, we checked out your SoundCloud, this shit is fucking popping. Let’s do this," he said. "I was freaking out about it."

Dreamcrusher’s origins are in the annals of MySpace, but his earliest recordings currently available date back to 2006, with Glass’ characteristically crunched, deconstructed sound palette applied to remixes of everyone from Lady Gaga and Erykah Badu to Daft Punk and These New Puritans . Since then, he’s released a constant flow of new material, currently racking up 24 releases on his prolific Bandcamp . "I have weird spurts," he says about his creative output. "I’ll go six months without recording anything and then I’ll go another six months recording at least three songs a day."

Katatonia , while still smeared in chaotic feedback and screeching synths, hews closer to melodicism than some of Glass’ other works. "Imponderabilia" offers a stuttering back beat similar to some of Crystal Castles ’ darker electronic impulses (one of Glass’ influences), while 13-minute closer "Mirror" starts with waves of undulating noise before dissolving into a bath of warm sounds and voices that altogether form something celestial, choral, and mesmerizing. It’s an impressive set of songs, showcasing Glass’ unique fusion of noise and electronic music.

After the show, once the strobe shut off and the regular lights turned on again, Glass threw himself into hugs with friends who came to see him perform. Enthusiastic and funny in person, he put on a host of accents and voices as he posed for pictures, simultaneously urging guests to buy his limited edition t-shirts and take cookies home with them as they left. I did both.

Pitchfork: Can you explain "nihilist queer revolt musik" to me?

Luwayne Glass: I was trying to come up with a counter to noise music that I liked but couldn’t personally connect with.

Pitchfork: What kind of noise do you feel that way about?

LG: Anything made past 2008. Seriously, it feels like sometimes it’s a competition of who can look like a Neo-Nazi. Everybody has the same fucking haircut, they all wear black, they don’t talk to anyone. Not that you have to force a sense of community into a music scene, you don’t have to do that, but you should at least not be an asshole. There’s a small noise community in Kansas, but we’re lit. If Torturing Nurse comes, we’re like, I’m coming out, I’m gonna shake my titties, I’m gonna get it poppin’.

By Matthew Strauss

By Nina Corcoran

When I first started playing shows I didn’t want to do it. It was 2012 and I had been making music for five years, and I was like, I can’t play here. Who the fuck’s gonna come? You have, what, 10% of the people that play [in Kansas] are noise people, 30% is indie rock, another 30% is metal, and another sub-genre is like, white boys with dreads rapping. Literally that’s it. Those are your choices. So I was like, no one’s gonna come to my shit. I’d just put out Death in the USA and most of the people that were buying it were in England. Then another person that was in town came to visit and he was like, "Are you Dreamcrusher?!" I had just barely gotten off of Myspace, I was still holding on to dear life to MySpace, but he was like, you have to perform here because think about the other kids who are in town who like the same shit but think there’s no outlet.

But the people I was booking with… ok, so you know the metal guy at the noise show? Those would be the kinds of people that I would be playing with. They were into my music but they weren’t into me, you know? I came out when I was 13. I’m not gonna hide myself, I’m not gonna do any of that. I’d be playing shows with these people who were like, eh, whatever. So it got to a point where I was just like, fuck this, I need to get the fuck out of here, so I started the fund.

Pitchfork: How did you start making music?

LG: When I came out I was trying to come out to keep from going to public high school. I was like, high school is scary, they’re gonna kill me. Literally, they’re gonna kill me. It could have fucking happened. I went to a magnet school and I was actually weird. I was fucking listening to Autechre in the computer lab and people would look at me like, ‘Did you break the computer?’ The first song I ever made was this weird, jungle-y, fucked up shit and I was like, ‘oh my God I want to keep making them!’ I kept adding compression to everything so it just sounded fucking ridiculous. Then my sister was like, you should put it on MySpace. I was using MySpace specifically to find music. That’s how I found out about HEALTH and Crystal Castles. And then I heard "Alice Practice" and I was like, I’m getting the shirt, I’m going to Canada, I’m gonna get lit, I’m gonna start drinking, smoking, moshing. I put a song up on MySpace that was terrible, and it got 1,000 plays in like a week. It was weird. I was like, they like that?

Pitchfork: Since you attach the queer label to your music, how much of your queerness do you feel impacts your music?

LG: It impacts all of it and none of it. The vessel I create out of is queer so anything I do is gonna be queer. But I don’t necessarily talk about… I mean, there are barely any words and if there are they’re like mad morbid, stupid, word vomit. But I don’t know, it’s unavoidable for it to be part of it, you know? It’s just kind of there. I’m debating whether I should include more of it in there. This time in the world is so weird because on the one hand you have infinite possibilities and it’s visible. You can see it. And then you still have those little bit of powerful people who are a smaller group and are older, who are like, we want strict this , that’s it. In the underground scene it’s really apparent and it’s really fucking annoying.

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