crosby stills nash and young 1974 tour dates

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CSNY’s 1974 Reunion: The Full Story Of The “Doom Tour”

Crosby, Stills, Nash And Young’s 1974 reunion tour had it all: marathon sets, raging egos and unbridled hedonism.

There had never been a rock’n’roll tour quite like Crosby, Stills, Nash And Young’s 1974 reunion tour of North America. After the enormous success of 1970’s Déjà Vu album the four-piece supergroup had split at the top of their game, and each member had tasted solo success since, particularly Neil Young , with 1972’s huge-selling Harvest . All four members of CSNY had sung on that record, and with their stock rising with each passing year, the group eventually agreed to get back together for a string of shows that would later be dubbed the “Doom Tour”.

Listen to the best of Crosby, Stills, Nash And Young here .

The reunion: testing the waters.

There had been stirrings of a reunion in 1973, when the CSNY bandmates met at a studio in Hawaii to test the waters for a Déjà Vu follow-up. The sessions might have fallen by the wayside, but the news that the golden boys of harmony pop had been in a room together led managers Elliot Roberts and David Geffen to consider the size of the windfall a tour might bring.

Promoter Bill Graham proved how lucrative such reunion shows could be, when he had Bob Dylan and The Band sell out 40 arena dates across the US in January and February 1974. He pitched a tour of outdoor stadiums to CSNY, originally envisioning only ten performances before quickly upping the number to 31. This was rock touring on an unprecedented scale, as Graham Nash told Rolling Stone in 2014: “ The Beatles had done Shea Stadium and the Stones had done a couple of Hyde Park gigs where there were 100,000-plus [people], but these [shows] was the first tour of this magnitude.”

While money was undoubtably a contributing factor to the CSNY 1974 reunion tour, there was also a feeling among some of the four bandmates that together they were greater than the sum of their parts. “I think that some of my records have suffered for lack of their influences and some of theirs have suffered for lack of mine,” Stephen Stills told journalist Barbara Charone at the time. “And we all kind of agree with that… The hardest part is going to be for everyone to remember how to sit and take orders – and me too.”

The rehearsals: “I said, ‘Neil, we’re coming to your ranch and we’re going to build a stage’”

That last comment was telling. Stills had not lost the controlling tendencies that caused friction in the group the first time around. The guitarist also took charge when it came to rehearsals: at his suggestion, a crew assembled a full-size concert stage at Neil Young’s ranch in late May. As Stills later put it, “I said, ‘Neil, we’re coming to your ranch and we’re going to build a stage across the road from your studio because we’ve got to learn how to play outdoors.’ He didn’t want all those people in his house, but it actually worked.”

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When it came to personnel, though, a compromise was reached between the members. Stills was keen to recruit from his band, making the case for Kenny Passarrelli (bass), Russ Kunkel (drums) and Joe Lala (conga) as a backing group. However, Crosby and Nash dug their heels in and successfully insisted that Tim Drummond – who had played bass on Young’s Harvest , Time Fades Away and the yet to be released On The Beach albums, along with Nash’s Wild Tales – took care of the low-end.

The excess: “We didn’t realise we were paying for all of it”

A no-expense-spared largesse pervaded every aspect of the CSNY 1974 tour. Six trucks, a travel agency, carpenters, bus drivers, personal chefs, drug dealers and more were on the band’s payroll – a common enough sight on large rock tours in years to come, but a whole new level of excess in 1974. Though Young travelled in a relatively austere fashion – in a converted bus with his son Zeke – his bandmates enjoyed lavish hotels, fine dining and substance-fuelled decadence. “There were private jets and helicopters,” Nash later told Rolling Stone . “We didn’t realise we were paying for all of it.”

The attention to detail and wilful ignorance of expense were astonishing, as roadie Glenn Goodwin recalled in David Browne’s 2019 book, Crosby, Stills, Nash And Young: The Wild, Definitive Saga Of Rock’s Greatest Supergroup . “Our luggage tags were leather embossed with Joni [Mitchell] ’s art. I don’t know if ‘decadence’ is the right word, but it was so over the top.” Mitchell, whose paintings adorn many of her own album covers , had provided the portrait for CSNY’s 1974 compilation album, So Far , and the illustration was also used on hotel pillowcases and the wooden plates used by catering. The opening acts also spoke of the tour’s ambition, with Mitchell herself, along with Santana, The Band and The Beach Boys, providing support across the 31 performances.

The shows: “When you play a stadium you almost have to do a Mick Jagger”

CSNY’s 1974 reunion tour kicked off on 9 July, at Seattle Coliseum. In keeping with the more-is-more ethos, and perhaps as a result of four men with large egos unwilling to cede ground to one another’s material, the show ran to over three hours and over 40 songs. According to legend, the group were still playing at a curfew-busting 2am. And it was so much more than a run-through the hits. As well as many of the best Crosby, Stills And Nash Songs , such as Ohio, Suite: Judy Blue Eyes, Wooden Ships, Carry On and Long Time Gone, there was also room for full-band versions of highlights from each member’s solo catalogue.

On the tour’s opening night alone, the group started with a full-pelt run through Stills’ Love The One You’re With, before going on to blast through Young’s Cowgirl In The Sand and Crosby And Nash’s Immigration Man. An acoustic set included stripped-back takes on Nash’s Another Sleep Song, plus covers of The Beatles (Blackbird) and Joni Mitchell (For Free), and a solo piano rendition of Young’s Harvest favourite A Man Needs A Maid. A closing set saw the group crank up the amps for rowdy versions of Young’s Revolution Blues and Crosby’s What Are Their Names, among many more songs.

By the end of the show, CSNY’s voices were gone, and during the following evening, in Vancouver, Crosby’s completely gave out. It was all part of a steep learning curve, as photographer Joel Bernstein later remembered. “There was this weird troglodyte notion, and this wasn’t just a CSNY problem, that you’ve got to turn it up to 11,” he later told Rolling Stone . “That’s not the case at all. You need to trust your PA mixer. When the volume did come down they were playing wonderfully. They didn’t need to make it that loud.”

Crosby would reflect on how the sheer volume affected the band’s performance. “We had good monitors, but Stephen and Neil were punching well over 100 [decibels] from their half stacks. Graham and I simply couldn’t do the harmonies when we couldn’t hear ourselves. Also, when you play a stadium you almost have to do a Mick Jagger where you wave a sash around and prance about. I can’t quite do that. We did what we could, but I don’t know how many people in the audience really got it. A lot of them were there for the tunes. When we’d start them, they’d hear the records.”

The fights: “They were very explosive. There was a lot of competition”

Old habits die hard, and as CSNY’s 1974 tour went on, the group split into factions, not least as Young – keen to avoid conflict – insisted on doing his own thing. “Neil travelled separately and kept himself separate,” Crosby later told David Browne. “That was him being honest about how he felt. Neil is a very pragmatic guy when he’s dealing with us. He knows what he’s dealing with… And he uses us when it suits his purpose. I wish he wanted to be our buddy. But the music was good and that’s what counted.”

As a songwriter, Young was going through an astonishing purple patch, spurring the rest of the group on to greatness and ever-changing setlists. Nash later reflected, “He hit a writing spell that was unbelievable. He wrote On The Beach, Don’t Be Denied, Pushed It Over the End, Hawaiian Sunrise. He’d hit it.”

Drummer Russ Kunkel told Rolling Stone , “Sometimes there was a setlist, but it changed a lot. There weren’t many soundchecks. What you have to remember about these guys is that they’re magicians and music is magic. We had arrangements for songs and we knew how they went, but when it came to solos there was no telling how long Neil would play. He would turn around to me while soloing and I’d see his eyes over the top of his mirrored sunglasses. It was like he was saying, ‘I could die doing this solo. I’m going to give it everything I have, so you’d better go with me.’ It was an incredible experience.”

The tour rampaged across the US against a backdrop of upheaval: Watergate (Nash, in particular, became obsessed with following the proceedings); the death of the group’s longtime friend “Mama” Cass Elliot; and increasing bickering among the bandmates. And as CSNY’s demands became more outrageous, their behaviour followed in kind.

“They were very explosive,” crew member Guillermo Giachetti told David Browne. “There was a lot of competition. There are many ways to light a stage, and they would disagree about that. They would get angry and start fighting if a song ended in a black-out or white-out or spotlight. If one had sex with twins, the other guy had to have sex with twins.”

The legacy: “These guys were really kicking it here and pushing the envelope”

Despite the internal friction and the knife-edge atmosphere surrounding the group, CSNY’s 1974 reunion tour ended in triumph. At Young’s insistence, they booked only one European date – at London’s Wembley Stadium, on 14 September 1974. Even by CSNY’s standards, it was huge: “Oh God, it was like being in a hurricane,” Kunkel later said. “I’d never experienced anything like that before.”

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The Wembley show was recorded with an eye for use as a US TV special, but the performance didn’t meet the band’s standards. “We were just too wrecked,” Crosby later said. “We knew it and watched the video after and said, ‘Aw fuck.’” Despite any misgivings, the 40th-anniversary live album that eventually surfaced was astonishing. Released in July 2014, CSNY 1974 was compiled from highlights of nine of the reunion tour’s shows. Spanning three CDs and one DVD, it was a remarkable showcase of the raw talent and incredible back catalogue at the band’s disposal.

Over half a century on, it’s the music that remains. “A lot of what we remember is stuff that went on around the tour, not what happened onstage,” Crosby told Rolling Stone . “But when you’re confronted with the tapes and with the video you have to say, ‘Jesus, these guys were really kicking it here and pushing the envelope.’ I love that we had all these great songs. I love that we treasured them and treated them respectfully.”

Check out the best Crosby, Stills And Nash Songs .

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Crosby Stills Nash & Young: CSNY 1974

Long time coming: 40-track live splurge plus 188-page book and dvd from 70s icons..

You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.

Even now, 40 years on, the scale of Crosby Stills Nash & Young’s 1974 reunion tour still seems jaw-dropping. Taking in 31 dates in 24 cities, at the time it was the largest stadium tour ever mounted, with the quartet playing to almost 50,000 fans a night, and more than a million-and-a-half in total.

Set against the backdrop of Vietnam, the Cold War and the Watergate scandal, the material in this lavish box – curated by Nash and taken from recordings made at nine shows – is, at the very least, a fascinating freeze-frame of both America and the band at a turning point. Nixon resigned mid-tour – celebrated in Young’s caustic, minute-long banjo ditty Goodbye Dick ; the quartet wouldn’t share a stage again until Live Aid 11 years later.

But, crucially, does it stand the test of time? Both Young and Crosby have been highly critical of the whole venture (the latter famously referred to it as “the Doom Tour”), while the combination of bacchanalian backstage excess (a drug-addled Crosby travelled with two girlfriends), monstrous egos and the sound limitations involved in playing such huge venues ensures that the performances feel more solid than celestial.

That said, there is still plenty here to make even hardened fans’ ears prick up. Nash told reporters at the time that trying out new songs in front of such huge crowds was an attempt to “turn ourselves on”, and prototype versions of Crosby’s Time After Time and Nash’s Fieldworker are both slinky and disciplined. Versions of Young’s glut of new songs, notably On The Beach and Revolution Blues , also crackle with energy, Young and Stills excelling on sizzling, seat-of-the-pants guitar duels. The songs from the abandoned Human Highway sessions in Hawaii are equally fascinating, especially Young’s Traces and a tightrope-taut, eight minute Pushed It Over End .

Elsewhere there are disappointments (an oddly flat Ohio ) and the occasional bum note – Stills’s vocals, in particular, are ragged throughout. But you’re left with a sense that it’s only this mercurial quartet’s perfectionism which has seen this project left on the shelf for so long. The live DVD’s previously unseen footage from the final date at Wembley fizzes with the energy of a group at their peak. Forty years on, these are still songs and performances few have equalled, let alone bettered.

Paul Moody is a writer whose work has appeared in the Classic Rock, NME, Time Out, Uncut, Arena and the Guardian. He is the co-author of The Search for the Perfect Pub and The Rough Pub Guide.

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On November 9, 1969 CSN did not play in Anaheim as stated on the list of concerts... I know this since my band played with them as the opening act with Sweetwater and CSN at University of California at Santa Barbara stadium Yes-outdoors) on November 9, 1969. Stevie Miller was supposed to be the 2nd billing band, but he did not show up. We opened the show,Sweetwater played after us and then, CSN. See the Link below for the pics and the poster with the date and time- 1 PM, November 9 (1969). Now, CSN could have driven to Anaheim and played there that night. Packing up all the equipment and re-setting up 4 hours south in Anaheim would have been hard...or impossible. We also opened for them in 1971, also, which is not listed here.

Link to 1969 show in Santa Barbara.

https://www.youtube.com/watch?v=3GQsuYAzBRo

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• September 14, 1974 Setlist

Crosby, Stills, Nash & Young Setlist at Wembley Stadium, London, England

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Tour: 1974 Reunion Tour Tour statistics Add setlist

• Love the One You're With ( Stephen Stills  song) Play Video
• Wooden Ships ( Crosby, Stills & Nash  cover) Play Video
• Immigration Man ( Crosby & Nash  cover) Play Video
• Helpless Play Video
• Military Madness ( Graham Nash  song) Play Video
• Johnny's Garden ( Manassas  cover) Play Video
• Traces Play Video
• Almost Cut My Hair Play Video
• Teach Your Children Play Video
• Only Love Can Break Your Heart ( Neil Young  song) Play Video
• The Lee Shore Play Video
• Time After Time ( Crosby & Nash  cover) Play Video
• It's All Right ( Graham Nash  song) Play Video
• Another Sleep Song ( Graham Nash  song) Play Video
• Our House Play Video
• Hawaiian Sunrise Play Video
• Star of Bethlehem ( Neil Young  song) Play Video
• Love Art Blues Play Video
• Old Man ( Neil Young  song) Play Video
• Change Partners ( Stephen Stills  song) Play Video
• Blackbird ( The Beatles  cover) Play Video
• Myth of Sisyphus ( Stephen Stills  song) Play Video
• Word Game ( Stephen Stills  song) Play Video
• Suite: Judy Blue Eyes ( Crosby, Stills & Nash  cover) Play Video
• Déjà Vu Play Video
• First Things First ( Stephen Stills  song) Play Video
• Don't Be Denied ( Neil Young  song) Play Video
• Black Queen ( Stephen Stills  song) Play Video
• Pushed It Over the End Play Video
• Pre-Road Downs ( Crosby, Stills & Nash  cover) Play Video
• Carry On Play Video
• Ohio Play Video

Edits and Comments

30 activities (last edit by ExecutiveChimp , 8 Dec 2023, 05:55 Etc/UTC )

Songs on Albums

• Another Sleep Song by Graham Nash
• Black Queen by Stephen Stills
• Blackbird by The Beatles
• Change Partners by Stephen Stills
• Don't Be Denied by Neil Young
• First Things First by Stephen Stills
• Immigration Man by Crosby & Nash
• It's All Right by Graham Nash
• Johnny's Garden by Manassas
• Love the One You're With by Stephen Stills
• Military Madness by Graham Nash
• Myth of Sisyphus by Stephen Stills
• Old Man by Neil Young
• Only Love Can Break Your Heart by Neil Young
• Pre-Road Downs by Crosby, Stills & Nash
• Star of Bethlehem by Neil Young
• Suite: Judy Blue Eyes by Crosby, Stills & Nash
• Time After Time by Crosby & Nash
• Wooden Ships by Crosby, Stills & Nash
• Word Game by Stephen Stills
• Almost Cut My Hair
• Teach Your Children
• Hawaiian Sunrise
• Love Art Blues
• Pushed It Over the End
• The Lee Shore

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Wembley stadium.

• Jesse Colin Young Start time: 12:00 PM 12:00 PM
• The Band Start time: 1:30 PM 1:30 PM
• Joni Mitchell Start time: 4:00 PM 4:00 PM
• Tom Scott & The L.A. Express Start time: 4:00 PM 4:00 PM
• Crosby, Stills, Nash & Young This Setlist Start time: 6:30 PM 6:30 PM

Crosby, Stills, Nash & Young Gig Timeline

• Sep 02 1974 Varsity Stadium Toronto, ON, Canada Add time Add time
• Sep 08 1974 Roosevelt Raceway Westbury, NY, USA Add time Add time
• Sep 14 1974 Wembley Stadium This Setlist London, England Start time: 6:30 PM 6:30 PM
• Sep 14 1974 Quaglino's London, England Add time Add time
• Jul 13 1985 Live Aid Philadelphia Philadelphia, PA, USA Start time: 8:40 PM 8:40 PM
• Oct 13 1986 Bridge School Benefit 1986 Mountain View, CA, USA Add time Add time

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Crosby, Stills, Nash and Young 1974 Live Set Receives a Release Date

For Crosby, Stills, Nash and Young fans the wait for the group's long-gesticulating 1974 live album appears to be over. The much-discussed box set, which chronicles the group’s fabled outdoor tour, has finally received a release date and will be available for purchase on July 8. The set has already received a listing on Amazon’s U.K. site .

'CSNY 1974' contains three discs of audio with 40 different tracks along with a fourth DVD/Blu-ray disc of eight performances and a 188-page book. Rolling Stone says that there will also be a one-CD, 16-song distillation of the box, and a 12-song version sold exclusively at Starbucks.

Word of the live collection first came out three years ago when it was discussed by Graham Nash and David Crosby . “We recorded nine of the 35 stadium shows we did,” remarked Nash . “We have about 42 songs and we’re busy mixing them. We have about 12 to 15 mixes under our belt. We’re talking to Neil [Young] about the resolution he wants everything at. Because of the world Neil is in, he wants it at the highest possible.”

Ultimately, the whole thing was pushed back due to the expansive nature of the project as well as some conflicting plans. “Next year is the 40th anniversary of the tour, and so I’m gonna wait for spring of next year,” Nash said in 2013 .

The singer went on to discuss some his own curatorial approach in creating the set. “You gotta understand, our shows were three or four hours long, and there are four of us and we were all writing like crazy,” he pointed out. “I just found a one-minute, 10-second song of Neil Young's about Richard Nixon that I can’t leave off. It’s brilliant…So, my point is, I’m still forming and shaping the album.”

'CSNY 1974' Track Listing 

1. 'Love the One You're With' 2. 'Wooden Ships' 3. 'Immigration Man' 4. 'Helpless' 5. 'Carry Me' 6. 'Johnny's Garden' 7. 'Traces' 8. 'Grave Concern' 9. 'On the Beach' 10. 'Black Queen' 11. 'Almost Cut My Hair'

1. 'Change Partners' 2. 'The Lee Shore' 3. 'Only Love Can Break Your Heart' 4. 'Our House' 5. 'Fieldworker' 6. 'Guinnevere' 7. 'Time After Time' 8. 'Prison Song' 9. 'Long May You Run' 10. 'Goodbye Dick' 11. 'Mellow My Mind' 12. 'Old Man' 13. 'Word Game' 14. 'Myth Of Sisyphus' 15. 'Blackbird' 16. 'Love Art Blues' 17. 'Hawaiian Sunrise' 18. 'Teach Your Children' 19. 'Suite: Judy Blue Eyes'

1. 'Deja Vu' 2. 'My Angel' 3. 'Pre-Road Downs' 4. 'Don't Be Denied' 5. 'Revolution Blues' 6. 'Military Madness' 7. 'Long Time Gone' 8. 'Pushed It Over The End' 9. 'Chicago' 10. 'Ohio'

Disc Four (video)

1. 'Only Love Can Break Your Heart' 2. 'Almost Cut My Hair' 3. 'Grave Concern' 4. 'Old Man' 5. 'Johnny's Garden' 6. 'Our House' 7. 'Deja Vu' 8. 'Pushed It Over The End'

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By David Browne

David Browne

Forty summers ago, North America’s greatest dysfunctional supergroup patched things up for a while, filled stadiums and left behind tales of backstage excess and shaky vocal harmonies. The first-ever set of recordings from those shows is fittingly over-the-top – three discs and one DVD with footage of eight songs. The two electric-set discs have a crackling, wired-on-something energy: Check how Stephen Stills and Neil Young trade unhinged solos on Young’s “Revolution Blues.” The often exquisite acoustic disc fi nds all four lending harmonies to solo songs like Stills’ “Change Partners” and reveling in a compatibility that often escaped them offstage.

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With strong then-new material from all four – including Graham Nash’s agitated “Fieldworker,” Stills’ Latin-soul “My Angel,” David Crosby’s ethereal “Carry Me” and several Young songs, especially the wrenching “Pushed It Over the End” – CSNY 1974 may be the closest we’ll come to hearing a mid-Seventies reunion album from this band. (After the tour, the group convened for a new record but fell apart yet again.) In another of Young’s songs here, the droll honky-tonk shu e “Love Art Blues,” he sings, “I went and played too hard and I lost my fun.” It’s a prophetic line for a tour that pushed a great band over the edge but left us, finally, with this overabundance of treasures.

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September 7.

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CROSBY, STILLS, NASH & YOUNG ANNOUNCE THE RELEASE OF CSNY 1974 THE LONG AWAITED BOXED SET WITH 40 LIVE TRACKS, ALL PREVIOUSLY UNRELEASED, FROM THEIR HISTORIC 1974 SUMMER TOUR 40 YEARS AGO

SEVERAL VERSIONS WILL BE AVAILABLE JULY 7/8 FROM CSNY & RHINO, INCLUDING PREVIOUSLY UNRELEASED CONCERT FOOTAGE, AND A LIMITED EDITION SET PRESENTED IN A CUSTOM WOOD BOX

• Crosby, Stills, Nash & Young
• Crosby, Stills, Nash & Young (CSNY 1974)